This was one of our busiest weekends of the year. Our typical agenda was interrupted to dedicate the entire Saturday afternoon and evening to the U2 360º Tour. This came on the heels of my 30th high school reunion on Friday night. I will circle back and blog about that later this week. Two nights in a row where I didn’t get to bed until well after midnight. It’s tough to recover from one late night let alone two in a row as I push closer to the mid century mark.
For those of you who went to the concert this weekend or a previous one on their current tour, or you’re a fan in general please feel free to chime in with your impressions.
This concert has been well covered in the media, much of it delayed by a year as Bono underwent back surgery and recovery. By now you’ve read the facts of the expenses and receipts to generate one of the most intimate major rock experiences in history. With their giant “Claw” or “Spaceship” circular stage, U2 transforms mega outdoor stadiums into a living room experience. It’s very hard to describe in a few words. The band lands themselves exposed on all sides of their circular thrust like stage which is engineered by Belgian company Stageco. The band has purchased carbon offsets in consideration to the environmental impact to transport 3 identical 360° Tour stage sets around the world.
You feel like you can reach out and touch a portion of the setting and the artists themselves. For those who waited in line for general admission floor access, they got intimate enough to have Bono and the band drip sweat on them as they criss-crossed the concentric circles via moving brushed steel bridges that spun around the circumference of the central stage. Fortunately, the rain that eventually drenched the venue halfway through the show washed the masses clean. The rain did not diminish the performance in my estimation. In fact the incredible electronic central video graphics performed well despite the weather. Resembling a large circular scoreboard at a hockey arena, the video screen is made up of over a million parts and descends down toward the center of the stage and over the band for fantastic visual effects. The elongated hexagonal video panels are all connected together and machined to create a truly unique experience.
So you can have all this really expensive machinery, stagecraft and logistics to manage it, but it takes a really outstanding group of performers to
pull off the complete package. U2 satisfied on all counts, even in a torrential downpour of rain. My reasons for saying this?
- The band genuinely enjoys performing together. They smiled at each other, played to each others’ strengths, and had fun with one another during the performance. In the final set, Bono came swinging across the stage on a circular red illuminated microphone hanging from a cable wearing a black leather suit decorated with red lasers. Wild!
- The band desired intimacy with their audience. They know where they are. They weren’t confused about which city they were in and they understood unique aspects of the Twin Cities. Hours before the concert in Minneapolis, Bono was meeting with local Somali leadership regarding the famine conditions that desperately need world attention at a time when world governments in the West are more consumed with their own insolvency and budget issues. For those readers who don’t know, the Twin Cities has the largest population of Somalis outside of Somalia in the world.
- U2 writes and sings smart, intelligent lyrics with deep meaning and philosophy behind it. And you can understand every line even when Bono’s falsetto cracks a bit.
- The band didn’t create this performance around a new CD. They understood that their fans wanted to hear their favorite tunes that spanned the decades from the earliest days like I Will Follow on Boy to Rejoice on the October release to Get on Your Boots from No Line On the Horizon.
- The crowd was engaged from start to finish. Concert goers spontaneously sang back at the band without being prompted, singing and tracking through every moment. The band actually stopped playing and listened to the audience sing to them a couple of times. For “With or Without You” the crowd simply hushed and listened.
- The band knows who they are and their talent is bigger because they’re comfortable with themselves. The audience understands this. What results is parents bringing their entire family to the concert. A band that speaks to generations of fans that are younger than 10 to well over 60. A friend’s daughter, about 6 or 7, when asked, “What’s your favorite song?” didn’t hesitate and said confidently “El-e-va-tion!”
My favorite song? Until the End of The World.
That song makes me thankful that even though I’m as guilty as Judas, He chose me to His inheritance before the beginning of the world. I don’t know why He did that. The only thing I can do is live up to His choice and be who He made me to be until the end of the world.